![]() ![]() In the case of Ambience Match it’s worth noting that the ‘Ambience’ isn’t reverb but the residual noise floor between different audio clips. Other new modules seem largely directed at the post-production fraternity, including a Loudness module (which uses a limiter rather than the gain adjustment approach of Leveler), EQ Match and Ambience Match. The unique slant here, though, is that the output is in the form of a re-drawn Clip Gain curve, letting you tweak and refine the gain changes as you see fit.īeyond the obvious dialogue applications, it was also interesting to hear the Leveler applied in a music production context, used as a means of balancing out the dynamic range of tracks, especially in relation to increasing the levels of quieter parts of the mix. Working in conjunction with Clip Gain is the Leveler module that lets you apply a form of automated gain control, much like a compressor or expander.
0 Comments
Leave a Reply. |